The Material

A panel of three papers: (Full detail of papers at: http://hastac2015.sched.org/event/c1b7ca582a9e982ec736e5c74add6faf#.VZFs6Evztdg) Project Arclight: Critical Reflections on Search, Visualization, and Media History’s Big Data Eric Hoyt In this paper, the PIs of “Project Arclight: Analytics for the Study of 20th Century Media”—which received a $200,000 Digging into Data grant sponsored by IMLS, SSHRC, and NEH Office of Digital Humanities—argue for the need to think critically about the data and visualizations used in Digital Humanities projects. Speaking to the conference’s theme of “Art and Science in the Digital Humanities,” we share some of the challenges involving technical engineering and artistic design that we have faced in attempting to develop a software app that is transparent, self-reflexive, AND still accessible to a wide range of users. Our talk is organized in two parts. First, US PI and former HASTAC Scholar Eric Hoyt briefly describes Project Arclight and talks about the project’s connections to science and technology—especially, search technologies that the Digital Humanities have tended to dismiss. Second, Canadian PI Charles Acland talks about Project Arclight’s approaches to data visualization and engagements, focusing on the project’s collaborations with artists and graphic designers… From Theory to Action: Good Enough Digital Preservation for Under-Resourced Cultural Heritage Institutions Drew Vandecreek Libraries, archives, museums, and other cultural heritage organizations collect, create, and steward a rapidly increasing volume of digital content. Both research conclusions and professionals’ real-life experiences expose the inherent fragility of this content. The cultural heritage and information science communities have developed guidelines, best practices, policies, procedures, and processes that can enable an organization to achieve high levels of digital preservation. However, these protocols are often complex, leaving many practitioners attempting to address the challenge of preserving digital materials feeling overwhelmed. This is particularly true for professionals serving smaller institutions that are often operating with restricted resources like small staff sizes, a lack of specialized expertise, dated technical infrastructures, and/or limited budgets. This white paper is the result of a three year investigation, funded by the Institute of Museum and Library Services, of affordable, scalable digital preservation solutions that can be successfully implemented at under-resourced organizations. It reports the results of large-scale testing of several digital preservation tools and services, suggests pragmatic digital preservation options, including an incremental approach to digital preservation practices, and asserts that communities of practice are key to success. The Digging Condition of Digital Humanities: Historicizing the Material Turn through Sound Jentery Sayers During the 2000s, a material turn occurred in digital humanities research, with an emphasis on how new media are not ephemeral info-dust. They are inscribed onto platters, embedded in infrastructure, transmitted through wires, and grounded in platforms. Put this way, the material turn responds, if only tacitly, to critical theories of technology, virtuality, and cyberspace that, during the 1980s and 1990s, largely ignored the particulars of how new media actually work. With this turn, we observe what I call a "digging condition" across digital humanities: scholars are now approaching media archaeologically, scraping data, emulating obsolete programs, reanimating dead tech, and unpacking the hidden lives of objects. But, from a historical perspective, how did new media become material in the first place? What motivated, say, the transduction of the ephemeral into the permanent? Engaging these questions, this talk argues that early magnetic recording practices (1878 - 1920) should inform how we understand the emergence of the digging condition in digital humanities. In so doing, it uses sound studies as its foundation, building upon and often complicating tendencies in digital humanities to privilege book history, print culture, and electronic text. Moderator: Drew Martin Speakers: Eric Hoyt Jentery Sayers Drew Vandecreek

• published: 24 Jun 2015
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